Reading Cavell's the World Viewed: A Philosophical Perspective on Film

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November 2000



In their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film.Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism film called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are.Rothman and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. Read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film.Reading Cavell's The World Viewed will prove invaluable to scholars and students offilm and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.


Reading "The World Viewed". Part I Preface: A Metaphysical Memoir. Part II Chapters 1-5: What Is Film? Part III Chapters 6-9: Film's Origins and History. Part IV Chapters 10-11: The End of the Myths. Part V Chapters 12-13: The World as a Whole. Part VI Chapters 14-15: Automatism. Part VII Chapters 16-18: Film and Theatricality. Part VIII Chapter 19: The Acknowledgement of Scilence. Appendix: Cavell's Philosophical Procedures and "Must We Mean What We Say?".
EAN: 9780814328958
ISBN: 0814328954
Untertitel: 'Contemporary Film and Televisi'. New. Sprache: Englisch.
Erscheinungsdatum: November 2000
Seitenanzahl: 294 Seiten
Format: gebunden
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