The Poetics of Rock: Cutting Tracks, Making Records
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BeschreibungZak looks at recording popular music as a form of composing; the laying down of tracks, mixing, mastering, and other engineering that go into making a recording are an integral part of creating a piece of popular music. Zak argues that the creation of popular music is by nature collaborative, with the recording studio as the site of collaboration.
InhaltsverzeichnisAcknowledgments Introduction 1. Writing Records 2. Tracks 3. Sound as Form 4. Places and Tools 5. Tracking and Mixing 6. Engineers and Producers 7. Resonance Notes Glossary Engineer and Producer Credits Recordings Cited Bibliography Index
PortraitAlbin J. Zak, III is Assistant Professor of Musicology at the University of Michigan School of Music. He is also a songwriter and recordist, and editor of The Velvet Underground Companion: Four Decades of Commentary (1997).
Untertitel: Sprache: Englisch.
Verlag: UNIV OF CALIFORNIA PR
Erscheinungsdatum: November 2001
Seitenanzahl: 259 Seiten