Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia
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BeschreibungExplores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, this book examines popular culture most notable cinema and television to see how modernization, as both a response to the West and as a process that is unique in its own right in the region, operates on a mass level.
InhaltsverzeichnisPreface and Acknowledgments Introduction Jenny Kwok Wah Lau Part I: States of Modernities 1. Globalization and Youthful Subculture: The Chinese Sixth-Generation Films at the Dawn of the New Century Jenny Kwok Wah Lau 2. Marx or Market: Chinese Rock and the Sound of Fury Jeroen de Kloet 3. Reexamining the East and the West: Tanizaki Jun'ichiro, "Orientalism," and Popular Culture Mitsuhiro Yoshimoto 4. Stranger Than Tokyo: Space and Race in Postnational Japanese Cinema Yomota Inuhiko, translated by Aaron Gerow 5. Discourse on Modernization in 1990s Korean Cinema Han Ju Kwak 6. Youth in Crisis: National and Cultural Identity in New South Korean Cinema Frances Gateward 7. The Fragmented Commonplace: Alternative Arts and Cosmopolitanism in Hong Kong Hector Rodriguez Part II: Postmodernism and Its Discontents 8. Immediacy, Parody, and Image in the Mirror: Is There a Postmodern Scene in Beijing? Dai Jinhua, translated by Jing M. Wang 9. Terms of Transition: The Action Film, Postmodernism, and Issues of an East-West Perspective Chuck Kleinhans 10. Consuming Asia: Chinese and Japanese Popular Culture and the American Imaginary David Desser Part III: Women in Modern Asia 11. Of Executioners and Courtesans: The Performance of Gender in Hong Kong Cinema of the 1990s Augusta Lee Palmer and Jenny Kwok Wah Lau 12. The Woman with Broken Palm Lines: Subject, Agency, Fortune-Telling, and Women in Taiwanese Television Drama Lin Szu-Ping About the Contributors Index
PortraitJENNY KWOK WAH LAU is an Assistant Professor in the Department of Cinema at San Francisco State University.
Pressestimmen"Multiple Modernities is a welcome addition to the growing scholarship in the area of contemporary Asian cultural studies." Modern Chinese Literature and Culture "Lau has managed to bring together an impressive collection of essays by both established and emerging scholars. She does an excellent job of combining new research on national cinemas that have received a decent amount of scholarly attention in the West with lesser-known Asian media cultures. The cogency of the volume is astounding. Multiple Modernities provides valuable new insights into the relationship between Asian cinema, popular culture, and issues of modernity. It adds significantly to our understanding of political cinematic culture." --Gina Marchetti, Ithaca College, and author of Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction "Two of the book's many merits stand out especially prominently. First it is a useful introduction to various popular media...[second,] many of the researchers are engaged in interdisciplinary analyses...and it is the scholar's responsibility to identify and discuss these various manifestations." --Senses of Cinema
Untertitel: New. Sprache: Englisch.
Verlag: TEMPLE UNIV PR
Erscheinungsdatum: Januar 2003
Seitenanzahl: 250 Seiten