Sublimity and Skepticism in Montaigne and Milton
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BeschreibungTraditional approaches to understanding sublimity and skepticism have often asserted the primacy and importance of one concept over the other. However, in Sublimity and Skepticism in Montaigne and Milton, David L. Sedley argues that literary and philosophical notions of skepticism and sublimity simultaneously developed and influenced one another. By exposing the twin origins of skepticism and sublimity, Sedley contributes to ongoing discussions of the origins of modernity and genealogies of modern habits of criticism.
Sedley uses the juxtaposition of Montaigne and Milton to argue that two seminal early modern phenomena, the rise of the sublime as an aesthetic category and the emergence of skepticism as a philosophical problem, are interrelated. The comparison of these two Renaissance writers highlights the traditions that have canonized them and also complicates the canonical views: Sedley's perspective reveals how Montaigne cultivated his famous skepticism in order to produce sublimity, while Milton forged his renowned sublimity through his encounter with skepticism. Sedley's first argument is that sublimity motivated skepticism: the sense that a force existed outside the aesthetic categories conventional in the Renaissance drove authors into a skeptical frame of mind. His second argument is that skepticism created sublimity: the skeptical mind-set offered alternative resources of aesthetic power and enabled authors to fashion a sublime style. These claims revise standard views of skepticism and sublimity, suggesting a mandate for an enriched aesthetics behind late-Renaissance loss of belief and exposing the Renaissance impulse behind modern notions of sublimity.
"Sedley's worktakes seriously our ongoing engagement with doubt. It is a brisk and brilliant guide to the disparate pathways through which early modern skepticism made its way to the sublime."
-Eileen Reeves, Associate Professor of Comparative Literature, Princeton University
PortraitDavid L. Sedley is Assistant Professor of French and Comparative Literature at Haverford College.
Untertitel: Sprache: Englisch.
Verlag: UNIV OF MICHIGAN PR
Erscheinungsdatum: Dezember 2005
Seitenanzahl: 208 Seiten